Pro Studio Live Ian Sutton The Complete Guide to Compression TUTORiAL
This course will teach you everything you need to know about compression and dynamics processors. We’ll take you from basic to advanced understanding.
By the end of this class you’ll see a DISTINCT improvement in your mixes!
Compressors are the most mysterious of all studio processors, and yet they are one of the most important in today’s music production. Whether you’re into recording, mixing, mastering, live sound, broadcast, or podcasts you need to know how to use compressors. In this class you’ll learn everything about using compressors. We’ll take you from basic understanding of compression through the subtle differences between the most popular compressors.
Learning these differences and knowing where to apply them can take an OK recording/mix and make it a great recording/mix. We’ll teach you a fool proof system to set up any compressor on any instrument – it’s all about setting up the controls in the correct order, knowing what’s possible and using your ears. We’ll also show you tried and true compressor/instrument combinations to get genre specific sounds. Because compressors are the most complex and abundant studio dynamics processors, that’s where we’ll spend most of our time. But because there are many ways to control dynamics, you’ll also learn how to use expanders, gates and limiters.
In this class you’ll learn…
Digital audio compression. Basic compressor controls. Advanced compressor controls. Different types of compressors. What compressors are commonly used for certain instruments. How to setup any compressor on any instrument.
What to listen for when setting up a compressor on:
Drums (Kick, Snare, Toms, Overheads, Room Mics). Drum Busses. Bass Guitars (clean and distorted). Synthesizers. Acoustic Guitars (rhythm and lead). Electric Guitars (rhythm and lead). Vocals (lead, backgrounds, harmonies). Voice Overs.
Advanced techniques like:
Sidechain compression. Serial compression. Parallel compression. Multiband compression. Mix bus compression. Mid-Side (MS) compression. Automating the controls.
You’ll also learn how to…
Use Expanders and Gates on:
Live drums to reduce bleed. Drum samples to change their envelope. Bass and electric guitar to get rid of hiss and hum. Vocal tracks to reduce breath noise. Voiceover tracks to reduce room noise and AC hum.
Advanced Expander/Gate techniques like:
Sidechaining a synth pad with a percussion loop to add motion. Using gating and compression together in a channel strip. Use envelope modulators like SPL’s Transient, Waves’ TransX and Logic’s Enveloper.
Ask Video Audio Mistakes 101: 10 Common Compression Mistakes TUTORiAL
"Every mistake is an opportunity to learn.” This course addresses 10 common compression mistakes and shows you how to correct them. Let US make the mistakes so YOU don’t have to!
Compression is difficult to understand. There are a lot of moving parts and this makes it difficult to learn, especially when you’re applying it to tracks in real time. That’s because Compression is a dynamic, fluid process that is influenced by changing input levels, musical genres and the kinds of tracks being processed. Things get even more complicated because compressors have many different kinds of interdependent controls that can quickly lead to serious audio problems. That’s why we created this "Common Compression Mistakes” course. We show you the mistakes and you get to learn from them!
Drawing from his extensive professional experience, expert engineer/trainer Joe Albano has thoughtfully isolated 10 common compressor situations that he feels can confuse new engineers and experienced ones alike. He dives into them one-by-one and then explains the solutions that he feels make the most audio sense.
So learn from Joe’s mistakes in this 10 Common Compression Mistakes course and use that knowledge to dive into your own tracks with "compression confidence” to achieve the best audio dynamic results possible.
Live Courses Complete Guide to Compression TUTORiAL
Much used but rarely fully understood, compression is an incredible tool utilised by audio professionals in every field. These detailed lessons, taught by Course Director, professional producer and Music and Sound Recording graduate Rob Jones, will take you from a basic to a thorough understanding of this powerful effect.
With visual and aural demonstrations, accompanied by a clear and informative commentary, by the end of the course you will have a thorough grasp of how single band and multiband compression functions and how to apply it to individual and groups of drums, vocals and the master buss.
The course starts by giving you a basic understanding of the parameters found on every compressor, including examples of their effects on dynamics and frequency, demonstrating how different settings can alter the sound both positively and negatively. Students learn how to use a compressor both as a precision tool and as a creative device, with specific examples and aural and visual demonstrations, to help get the most out of a mix.
Module 1: Compressor Basics
Going straight in with an example, Rob shows you how the different parameters on a standard compressor effect a drum loop. Clearly demonstrating the effects both visually and aurally, you’re given a detailed background on how the different parameters affect the signal.
Module 2: Compression’s Effect on Frequency and Level
In this lesson, Rob introduces you to the effect of compression on extremes of frequency. He demonstrates with the help of an analyser how applying hard compression, with varying attack times, alters the amount of high and low frequencies in relation to each other. This presentation enables you to hear how compression may suck the life out of your drums if overused.
Module 3: An Advanced Analysis of Attack and Release
In this module, you will be given a detailed look into the effect of some of the most commonly used parameters available on all compressors: Attack and Release. Using graphical displays, coupled with Rob's experienced commentary, by the end of this lesson you will fully understand the application of these important functions.
Module 4: External Sidechain Sources - Pumping/Ducking
In this lesson Rob shows you how to implement one of the best creative compression techniques: ducking. With multiple uses, you will be taught how to create pumping basslines, using the compressor to create synergy between the drums and bass, as well as how to use ducking in podcasts and voiceovers. A detailed explanation and demonstration of common pitfalls round out this module.
Module 5: Sidechain EQ
Beyond the basic controls, the ability to properly use the compressor sidechain will make the biggest difference your sound. In this tutorial, Rob introduces you to the sidechain and demonstrates the use of EQ and filtering to really begin to master the functionality of your compressor.
Module 6: Multiband Compression and Mix Buss Compression
This module takes you into the world of multiband compression by comparing the effect of single band and multi band compressors on the stereo buss. Given the enhanced ability to set different compressor parameters at different frequencies, multiband compression is a highly effective tool to apply to the whole mix. Rob shows you how to manipulate this increased flexibility, alongside information on additional compressor settings, to give you total control over the dynamics of your track.
Module 7: Compressing a Kick Drum
Applying the skills you've learnt so far, Rob now demonstrates the best way to apply compression to a kick drum, adding punch and power without losing the attack. He also demonstrates compressing a clap sample to help it cut through the mix and round out the sound.
Module 8: Compressing a Vocal
In this lesson, Rob explains how you can utilise multiband and single band compression simultaneously, to subtly smooth out a voice that was recorded with large changes in level. His demonstration shows how to rectify level problems without introducing unwanted noise to the signal.
Module 9: De-essing a Vocal
In the final tutorial in this course, Rob demonstrates how you can implement any multiband compressor to work as a de-esser, cleaning up your vocals and removing unwanted sibilance (the high frequency 's' and 'sh' sounds).
Udemy Learn Delay The Complete Guide To Mixing With Delay TUTORIAL
Delay is quite possibly the most used, yet misunderstood creative tool in the mixing engineer’s arsenal. Every major record you’ve heard in the past 40-60 years has had some instance of delay on it. Beginning at an explanation of the brief history of Delay along with some basic functions, all the way to advanced techniques as well as a primer of the physics behind the tool, in this class you’ll learn everything you need to know about the Delay tool!
We’ll be focusing on common applications of the Delay tool, found in contemporary music, as well as some techniques to help simulate a vintage sound in your mix! We’ll also go through how to setup your Delay on any instrument and explain why the order of operation is important. We’ll spend the majority of this course examining techniques, since this is an application dependent tool, but we’ll also touch on some effects like Flangers and Choruses, that can be made using a Delay tool with some post-processing.
In this class you'll learn...
Digital Delay use. Analog Delay functionality. Creating depth in a 2-Dimensional plane. Simulating a doubled track. Different models of Delay. Physics of Sound Waves. Differentiation of Reverb and Delay. How to setup Delay.
What to listen for when using a Delay on:
Drums. Guitars (lead and rhythm). Piano. Vocals (lead, backgrounds, harmonies).
You’ll also learn advanced techniques like…
Throwing Delay using Automation. Artificial Stereo Spread. Acoustic environment simulation. Embellishment of an element within a mix.
What are the requirements?
Basic understanding of Computer Recording and Mixing
What am I going to get from this course?
Over 16 lectures and 2.5 hours of content!
Over 25 years of experience and expertise from a professional recording studio that has serviced bands such as U2, Blink 182, Switchfoot, Icona Pop and many many more.
An advanced understanding of delay that can take an OK recording/mix and make it a great recording/mix.
What is the target audience?
Beginners to advanced audio engineers and enthusiasts who want to learn industry standard mixing techniques and mixing secrets used by professional engineers on today’s hit records.
The Recording Revolution JumpStart To Compression TUTORiAL
Next to EQ, compression is the most important and most mis-used effect in amateur mixes. JumpStart To Compression will explain all the features of a typical compressor so you can have more control in your mixes. You will learn how to bring energy to your mix and get consistent upfront vocal tracks as well as fatter drum sounds, all with a simple compressor plugin. No over squashing needed…unless you want it!
Udemy Audio Engineering Basics of Compression TUTORIAL
Using a compressor and understanding compression is one of the hardest things for entry audio engineers to grasp. With so many different compressors and compressors types its not hard to see why people struggle with compression. Compression is critical to getting good mixes in music today, and without a proper knowledge of compressors and how to use them your mixes can easily turn thin and lifeless. Compressors can add color to tracks, crush drums, smooth out vocals, and add weight to a bass. Compressors can add to an track, or it can take away. For example, with a compressor you add punch to a kick drum, you can take the punch away. It all depends on how you use it. And there are many, many ways to use a compressor. Using compression properly will help improve your mixes by keeping dynamics controlled.
Udemy Audio Engineering All About Compression TUTORIAL
Ready to take your compression skills to the next level? In my All About Compression course I move on to more advanced information about compression. I will go over advanced compressor controls such as mix, knee, and side chain. If you've taken my basics of compression course then consider this course the next step to continue learning about compression. In All About Compression I will cover the different types of compressors, different kinds of compressors, uses for different type of compressors, classic compressors and how to use them, and much more.
I also go over different compressor techniques and examples of use. This course will expand your capabilities with a compressor and introduce you to new ways of how to use them. I've been engineering for over 15 years now, and in that time I've gotten to use a lot of different compressors. And I've gotten to know some compressors very well. The more you use and learn about compressors the more the confident you will become in using them. And this course should help boost that confidence. Because all compressors are different it can be difficult to find the right compressor the job. I will go over my approach to choosing a compressor for a track. Anyone taking this course should have a DAW (Digital Audio Workstation) with a compressor plugin so they can go over and practice these techniques. The DAW being used in this course Presonus Studio One. However the DAW you use is not important, as all DAW's will come with a compressor. By sharing some of my knowledge of 15 plus years in audio this course will teach you the following:
Different compressor types
Multi band compression
De-essing and how to set a de-esser
choosing the right compressor
side chain compression
using automation with compression
how to set a compressor for general compression
how to set a compressor for mix bus compression
classic comperssors and how to use them
What are the requirements?
knowledge of the basic compressor controls and use will be needed for this course
What am I going to get from this course?
Over 22 lectures and 2.5 hours of content!
used advanced compression techniques
understand more about compression
learn different kinds of compressors
learn the types of compressors
learn parallel comperssion
learn side chain compression
learn mix bus compression
learn how to use a de-esser
What is the target audience?
people understanding the basic of compression but want to take the next step in learning compression
anyone wanting to learn advanced compression techniques such as parallel compression and side chain compression
anyone wanting to learn how to use classic compressors such as the LA2A and the 1176
Anyone wanting to learn how to use bus compression
If you don't have a general knowledge of compression and how to use a compressor please subscribe to my free course "Audio Engineering: EQ and Compression for beginners" before taking this course. This course does go over basic controls and how to use a compressor